News ID: 152201
Published: 0704 GMT May 28, 2016

Prado exhibition marks 5th centenary of Bosch's death

Prado exhibition marks 5th centenary of Bosch's death

The Museo del Prado, in central Madrid, is presenting the exhibition that marks the fifth centenary of the death of Jheronimus Bosch (on display until September 11), representing an unrepeatable opportunity to see a remarkable group of works comprising the eight original paintings by the artist to be found in Spain together with others loaned from collections and museums around the world.

This represents the greatest number of Bosch's works ever to be assembled, created by one of the most enigmatic and influential artists of the Renaissance. As such, the exhibition will encourage visitors to look deeper into his personal vision of the world through the spectacular installation in which Bosch's most important triptychs are shown free-standing in order for both the fronts and backs to be visible.

'The Fifth Centenary Exhibition' focuses on the artist's original works and is divided into seven sections. The first, 'Bosch and 's-Hertogenbosch', locates visitors in the city where the artist lived throughout his life. Given the monographic character of this exhibition and due to the difficulty of establishing a chronology for Bosch's works, his output has been divided into six thematic sections: The Childhood and Ministry of Christ; The Saints; From Paradise to Hell; The Garden of Earthly Delights; The World and Men: Mortal Sins and non-religious works; and The Passion of Christ, reported.

The exhibition also includes works produced in Bosch's studio or by followers from now lost originals. Another group, which includes paintings, miniatures, engravings by Alart du Hameel, reliefs by Adrien van Wesel and the manuscript of the Comentario de la pintura by Felipe de Guevara, allows for a better understanding of the context in which Bosch produced his works, the personality of some of his patrons, such as Engelbert II of Nassau, and the status of painting in the 16th century.

The exhibition's importance lies in the benefits that both the general public and experts alike will derive from its contemplation. In this sense, it is not only important but also necessary. The fact that for the first time it brings together most of the artist's masterpieces will decisively contribute to resolving some of the questions that relate to his work, both with regard to establishing his corpus and reconsidering issues of dating.

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