0602 GMT November 15, 2019
Extensive research shed light on the tainted provenances of the works, which were stolen from the Davidsohns’ apartment in Munich and taken to one of the National Socialists’ collecting points in Munich’s Königsplatz. Five paintings dating from the 16th to early 20th centuries, three 19th-century color engravings, and an intricate wooden panel with ivory reliefs stayed there until the end of the war. In 1955, each work found its way into the Bavarian State Painting Collections, the Bavarian National Museum, and the State Graphics Collection, artnet.com reported.
The research team tracked the Davidsohns’ heirs to London, Zimbabwe, and Tel Aviv. In recent years, provenance research has increased in the southern German state’s painting collections. Bernhard Maaz, the director of the Bavarian State Painting Collection, who represented the three museums at the ceremonial handover, described the research process as “long and difficult,” but pointed out that its outcome showed how provenance research methods and tools have become “mature.”
After the raid, the Davidsohns were deported to Theresienstadt concentration camp. Julius Davidsohn was murdered in August 1942 and Semaya died in April 1943.
“Provenance research is more than just a duty of our museums. It is our ethical duty, to deal with the provenance of museum inventories thoroughly, profoundly, and conscientiously, and to make it transparent,” the Bavarian Arts Minister Bernd Sibler said in a statement.